How I assess the quality of music
I have already philosophized about the concept of value in music. Now, I would like to reflect on how I actually assess music qualitatively for myself.
read moreI have already philosophized about the concept of value in music. Now, I would like to reflect on how I actually assess music qualitatively for myself.
read moreI haven't been asked much about why I actually started my projects like Tagirijus Music or Tagirijus Books. Nevertheless, here's a post that attempts to answer that!
read moreA reader drew my attention to the fact that an essential point was missing from my post Listening to music should be free: the clarification of the concept of value in relation to music, or more generally: art. I would like to address this in this post.
read moreThis is not intended to be an incentive to illegally obtain music! This is about my opinion on why I don't find the monetization of just listening to music (at least digitally) very justifiable. It is understandable to me, but it doesn't feel (anymore?) like the "right way". Why?
read moreAs a freelance artist, sooner or later you will come to the point where you have to do something - in my opinion, something strange - like pricing licenses. In doing so, German copyright law (§31 UrhG) distinguishes between "simple or exclusive right". But what does that mean and how can you even calculate something like this?
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