With this post, I would like to complement the post about sample libraries.
The trigger was that synth libraries kept appearing in searches for new virtual music tools, which was never my intention.
I will try to explain why I consider this a problem.
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At the end of 2019, I embarked on an experiment and created a profile on the content platform Audiojungle.
In this post, I want to share my experiences and also express my opinion about it.
To put it simply and summarize: Audiojungle prioritizes quantity over quality, and operates in an opaque and inconsistent manner.
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Artificial intelligence is becoming increasingly prevalent in our everyday lives, including the field of art.
With this post, I want to explore the question of whether there is a concern that AI could take over my job as a composer and producer.
Additionally I would like to share my thoughts on this matter and address the question of whether these advancements make me fearful.
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I, like many others, occasionally receive email spam.
In this post I want to briefly describe what I do to combat it.
Additionally, I want to demonstrate that taking action can make a difference.
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When it comes to producing music, I utilize various digital software tools to achieve an authentic sound.
In the realm of digital sound generation, there has been, in my opinion, a tendency towards redundancy in recent years.
I believe that too many resources are being invested in seemingly new but fundamentally repetitive products.
In this post, I want to shed some light on this issue more specifically.
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