I have wondered if the music I compose and produce is different when I compose it for clients instead of producing it for myself. Furthermore, I am also interested in whether and to what extent my workflow differs in this regard. In this post, I would like to explore these questions and also find out what the reasons might be.
With this post, I would like to complement the post about sample libraries. The trigger was that synth libraries kept appearing in searches for new virtual music tools, which was never my intention. I will try to explain why I consider this a problem.
At the end of 2019, I embarked on an experiment and created a profile on the content platform Audiojungle. In this post, I want to share my experiences and also express my opinion about it. To put it simply and summarize: Audiojungle prioritizes quantity over quality, and operates in an opaque and inconsistent manner.
Artificial intelligence is becoming increasingly prevalent in our everyday lives, including the field of art. With this post, I want to explore the question of whether there is a concern that AI could take over my job as a composer and producer. Additionally I would like to share my thoughts on this matter and address the question of whether these advancements make me fearful.
I, like many others, occasionally receive email spam. In this post I want to briefly describe what I do to combat it. Additionally, I want to demonstrate that taking action can make a difference.