I have wondered if the music I compose and produce is different when I compose it for clients instead of producing it for myself.
Furthermore, I am also interested in whether and to what extent my workflow differs in this regard.
In this post, I would like to explore these questions and also find out what the reasons might be.
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With this post, I would like to complement the post about sample libraries.
The trigger was that synth libraries kept appearing in searches for new virtual music tools, which was never my intention.
I will try to explain why I consider this a problem.
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At the end of 2019, I embarked on an experiment and created a profile on the content platform Audiojungle.
In this post, I want to share my experiences and also express my opinion about it.
To put it simply and summarize: Audiojungle prioritizes quantity over quality, and operates in an opaque and inconsistent manner.
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Artificial intelligence is becoming increasingly prevalent in our everyday lives, including the field of art.
With this post, I want to explore the question of whether there is a concern that AI could take over my job as a composer and producer.
Additionally I would like to share my thoughts on this matter and address the question of whether these advancements make me fearful.
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I, like many others, occasionally receive email spam.
In this post I want to briefly describe what I do to combat it.
Additionally, I want to demonstrate that taking action can make a difference.
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